Logo

Alt. Rock band based in Birmingham, UK #horizonites

Previous Next
  • Home
  • News
  • About
  • Gigs
    • Past Gigs
  • Releases
  • Blog
  • Media
    • Reviews
    • Imitation Sun Reviews
    • TLODS Reviews
    • Videos
    • Photos
    • Audio
  • Store
  • Contact
  • Facebook
  • Twitter

Upcoming gigs

No shows booked at the moment.

Follow us on Twitter

My Tweets

Find us on Facebook

Posts By Josh Watson

0 Summer Afternoon

  • 29/08/2012
  • Josh Watson
  • · Blog

Some things just find you. A memory found me today and I’m glad it did.

It’s a summer afternoon. Fluffy white clouds drift slowly across the sky, and a gentle breeze stirs the leaves on the tall trees that line the fence of my back garden. They whisper, a gentle rustle that answers the chirping murmur of birdsong. I run across the lawn, chasing my younger brothers in a game. Midway through the long expanse of the summer holidays, school is a forgotten memory and all that matters is now. The year is 1995, and I’m 10 years old.

My dad’s in the house, upstairs in his study which has a big window that looks out over the garden. He was working earlier but now mum’s shaking her head and tutting from the kitchen because he’s got his bloody guitar out. It happens once a year (if that), and today’s the day. He throws the window open and starts to play. It seems very loud from outside, and he’s playing some kind of old fashioned music. I recognise a couple of tunes from last year’s afternoon of guitaring. There’s one that goes “If God was one of us…” and another that seems very upset about something; “Is it getting better… or do you feel the same…?”

I like them both, but I’m mostly happy Dad plays guitar because it’s just another thing he does that proves he’s cool. I walk in from the garden, through the kitchen, and the muted rumble of a little practice amp turned a bit too loud forces its way downstairs. Mum’s still grumbling about “that bloody guitar”. I’m only 10 but I know not to be underfoot when mum’s grumbling, so I go to the living room and fire up Sonic 2.

An hour or so later, Dad’s exhausted his repertoire of half remembered lyrics and licks. I’m pretty sure Smoke on the Water was featured at some point. He comes downstairs and turfs me off the Sega Megadrive so he can watch some TV. I saunter upstairs and find myself in the study. The guitar’s there and unusually there’s still a lead connecting it to the amp. I’ve seen the guitar, unloved and shoved into an unused corner of the room, for as long as I remember. It’s nothing special. But today it looks different. I notice it in a way I didn’t before. I study the amp’s control panel and find the “power” switch. Flick. There’s a pop and a hum starts. A little red light comes on.

The guitar’s on a stand. I have no idea how to hold it so it stays there. The strings feel a bit sharp so I treat it with caution. I sit cross legged on the thick green carpet in front of this object that’s suddenly caught and held my fascination, reaching out gingerly, vague worries about sharp metal strings and electricity in the back of my mind.

My fingers touch the thinnest string. A gentle squeak emerges from the speaker. I pull my hand back a little, place my thumb against the string, and pluck it.

The note fills the room. It sounds and feels different to anything I’ve heard before. It doesn’t just stop – the rich and pure sound carries on, gently receding towards the silence I pulled it from. I just sit and listen. It fades, fades, and after 30 seconds I can’t hear it any more. Even then I know it’s still there, quieter than I can fathom, ringing away. I want to hear it again. I pluck the string once more, and move from right to left, each string thicker, deeper and more sonorous than the one that preceded it. The thickest string makes a sound I can feel through the floor. I move back up the strings one by one, then with a final flourish rake my finger down all 6 strings. The notes vibrate the air and beat against each other. The chord I made from the open strings is dissonant and not particularly musical but that just adds to its wonder; this isn’t a sound I’ve heard before and within the noise I can hear possibilities, different notes fighting each other and hinting at melodies I won’t find for years. I sit, hypnotised, as the notes once more fade to silence.

I have no idea what the frets are for and I won’t find out for another 6 years. The guitar stays on its stand and, having exhausted the possibilities offered by the open strings, I turn the amp off and go back outside to chase my brothers in the garden under the long afternoon sun.

Share this:

  • Facebook
  • Twitter

0 Noise Manifesto

  • 14/08/2012
  • Josh Watson
  • · Blog

No autotune, no beat detective, no snap to grid, cut and paste, paint by numbers production. That’s pretty much everything I don’t want. There’s plenty of other people writing cool robot music, I’ve never been good at it. In a world where Razzle Bing the 14 year old producer can create the most wicked, stomping grooves in the world on his Ipad without even having to know which end of a drumstick to hold, we want to be the antidote.

We want to pull Razzle from the wall in the distance, the wall he plasters his perfect beats against, perfect wallpaper music for people who need background entertainment to function, and put him on the stage in front of a crowd. I want him to make them think and feel.

And I want him to do it with noise.

I don’t care if a thousand people walk out the room in disgust. If one single person is left standing there nodding his head in time with the noise, then he’s succeeded. He’ll have done a better job than all the generators of background music put together. So many people think the best thing you can do is to keep the room full. Have a thousand and one people chatting to each other, playing games on their phones, while you do your best not to offend any of them, let alone make them feel, let alone make them question things.

That’s idiotic. That’s the way to be irrelevant. Music should be a force, and it’s not good unless at least half the people who hear it don’t like it at all.

And that is how we see it. We write music with character, and it’s not always a nice one. But we’d rather be the villain you despise than the background actor you don’t even notice.

Share this:

  • Facebook
  • Twitter

0 The Light at the end of the tunnel.

  • 24/04/2012
  • Josh Watson
  • · Blog

My last blog entry was almost 6 months ago. I’d feel more contrite about that if I hadn’t been busy doing. It’s the old blogger’s cliché – when you’re doing stuff worth writing about you’re too busy drowning in it to acually write about it. This has probably been the busiest 6 months of my life, a perfect storm of preproduction and recording sessions, and fighting to get the tracking done before we resumed gigging earlier this year. We didn’t quite make it, but hey. We’re not saving lives here. In the meantime me and Hannah bought our first house, which some say is stressful. I wouldn’t know, I was too stressed to notice.

… Continue Reading

Share this:

  • Facebook
  • Twitter
Page 3 of 7« 1 2 3 4 5 … 7 »

© 2025 Captain Horizon

  • Amazon
  • iTunes
  • SoundCloud
  • Last.fm
  • Twitter
  • Facebook
  • YouTube
  • RSS

Designed by Luke McDonald & Powered by WordPress

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkRead more